Now batting for the Knights, number 31, Rockie…
The scheduled reviewer for this episode ran into unforeseen problems called life. So I got the call off the bench to pinch hit and write the review for Nelson's Sparrow. Yes, you're stuck with me again for the second week in a row.
However, since I didn't know I would be doing this review, I had already made my feelings know about this episode in the comments section. So most you should know what I thought about it. For those you that don't: this episode of Criminal Minds was an out of the park homerun.
That said, I'll try not to repeat myself (no guarantees) and dig into this episode a little deeper. As I watched it for the ninth time to prepare of doing this (yes, you read that right; maybe a tip off on how really good I thought it was), there's three things on I want to focus on.
The first is the amazing and awesome script that Erica Messer and Kirsten Vangsness brought to the table. Who knew Kirsten Vangsness' incredible skills?! I just wish she'd spread her fairy dust around the writers' room, because she and Erica brought home one of the better
Criminal Minds
episodes of all time for me.
There's been some debate on social media if it was necessary for
Criminal Minds
to kill off
Gideon. Whether you liked, loved, or have the opposite feelings towards the character isn't the issue for me; how well they did or didn't do it is my issue. That premise gave
Erica and
Kirsten an episode to show off the team, doing what they do best and why I love this show:
the team being profilers.
The intro scene was brilliantly written; it had just five words and was one of the shortest I can recollect. Yet it was powerful and I was hooked. The concept the two ladies developed for that intro was sheer brilliance. I'll explain why later.
Ed Bernero always said he liked to drop "cookies" for us fans.
Erica and
Kirsten dropped a ton of them. Through this episode, we learned how the terminology all of us fans now know were developed. This came through the four flashback scenes with the younger versions of
Jason Gideon and
David Rossi. Kudos and huge shout outs to the casting department for both of those hires.
Robert Dunne, who played
David Rossi before in
The Fallen and again in the one snippet scene in
Anonymous, was a dead ringer for
Rossi and well played. However, the four star performance goes to
Ben Savage who absolutely nailed a young
Jason Gideon.
Back on point; through those scenes we learned the evolution of the terms "serial crime", "unknown subject" and "signature". It was like taking
"Criminal Minds
101"; the first class of understanding what this team does. And in the end, with Rossi talking to Gideon's son Stephen, brought it all home and scored. Why this team does what it does. It goes to the core of
Criminal Minds; good men and woman leave home and family to make the world a better place for their family and everyone else's. They are our heroes.
Beyond the flashback scenes, the team profiling was excellent. When is the last time we've had a
Criminal Minds
episode that featured the team, slowly building the profile, working off each other this much? It started with
Hotch and
Rossi in the scene with
FBI CSU Agent Gina Sharp (
great to see Gina back again!!) and played out to the scene in
Pie Village with first
Hotch and
Rossi bouncing ideas off each other and then the team joining them. Everyone contributed to the profiling.
There were so many things I loved about this script:
- Kate commenting to Garcia about typing so slow and Garcia responding about going through Gideon's credit card spending. "Try going through his bedroom" JJ responds.
- Kate's line "a forty year sentence sounds pretty good until those forty years are up".
- Morgan and Rossi working the crime scene: "I'm the unsub; how did I do it?"
- Rossi discovering the gunshot in the bird picture: "The devil is in the detail".
- Reid's heart-wrenching admission to Rossi in the SUV in Act 2: "I don't want to find something else"... And let me say this now: Matthew Gray Gubler got handed a wonderful script to act his pants off, he didn't miss the pitch and swatted his own monster homerun.
And then there's the ice cream scene. I've read conflicting reports online about who wrote what scenes be it
Erica or Kirsten. Either way, that scene played out so natural for those two characters.
Of course, it wouldn't be
Criminal Minds
if there wasn't an unsub involved. If I have one knock on the script it's that I knew from the get go that the wheelchair the unsub used was a ruse. And with the twisted unsubs are beloved team chases each week,
Erica and Kirsten
upped the Ick, Ick and Ick level with every scene after another involving the unsub and his latest victim Josie.
But I can't knock off
Rockie grading points because I got not one, but three glorious scenes with my guys
Hotch and
Rossi having some wonderful ones together. I will admit to all: I didn't really start watching
Criminal Minds every week in die-hard mode until
Joe Mantegna joined the cast. His immediate connection to
Thomas Gibson and how these two fine actors can work together, and off each other, showed in
Joe's
Criminal Minds debut in
About Face. The monster one for me will always be the alley scene in
Omnivore. Yet, the two of them didn't disappoint me again with the wonderful scenes they got handed. "
Is this how it's going to go"
Dave lamented. That was golden and set up the other two wonderful scenes of the two of them together.
That brings me to the start of the final scene with Hotch and Rossi on Gideon's porch. This Hotch fan girl got to see him smiling, then smiling broadly, then laughing. It immediately became one of my favorites.
This all leads me into the second point I'd like to make about this episode. One of the biggest complaints this Criminal Minds fan has is the lack of continuity that can happen with my beloved show. This episode NEVER missed one. I know; I darn near dropped over as well.
In my detailed scribblings watching the episode, I noted eleven of them. But I can veer into anal retentive mode real easy so I'll only mention a few:
The ME that did the autopsy on Gideon was the same one that did Chief Strauss'.
Rossi and Reid's scene entering into the old BAU bunker; Rossi mentioned that bunker in the aforementioned About Face.
Then there's the tie in to how Gideon became an avid bird watcher.
Erica and Kirsten
re-visited the big brother/little brother type relationship that Morgan and Reid have.
And Hotch and Rossi working the profile in the diner reminded me immediately of them doing the same in Identity.
The greatness of this episode though goes to Glenn Kershaw's wonderful vision of directing and my third point. Like I said in the comment section, I should have known that if Glenn was at the helm behind the cameras, this episode was going to be huge.
I said earlier that the opening intro scene was powerful.
Erica and
Kirsten
may have penned that idea. But that was all
Glenn and his director's vision. From the start with
Reid's old car coming up the driveway, ala
In Name and Blood (
another continuity point) to his magnificent shot of the needle off the old vinyl LP record on
Gideon's turntable to the transition shot of the chess board was astounding and floored me. And then add in his multiple shots of birds flying through the air, spooked by sound, plus one of the final scenes with
Reid wanting to move a chess piece but couldn't do it; I can only shake my head at his true genius. I could mention so, so many more but I won't bore you.
Glenn gave us fans a grand slam.
I think all of you know my grade of this episode by now. So I'll just end by apologizing for all of the baseball analogies. The US football season ended on Sunday with the Super Bowl. I need my sports fix. Baseball season is around the corner.
And for my dear friends that live in the northeastern part of the US, hopefully spring as well. If
Criminal Minds
keeps cranking out outstanding episodes like Nelson's Sparrow, we'll all get there. The groundhog be d*mned!
~~~~rockhotch31 (Guest reviewer)
